Why I Take Photos

Jay Dixit

I'm a red carpet photographer for Wikipedia and the founding photographer of the WikiPortraits initiative. I've covered the Nobel Prizes in Stockholm and Oslo, Sundance, SXSW, the Toronto International Film Festival, the New York Film Festival, and cultural events in New York, San Francisco, and Toronto.

I'm also a writer, writing professor, and AI educator. I taught storytelling at Yale. My work has appeared in The New York Times, Rolling Stone, The Washington Post, Wired, Harvard Business Review, and Psychology Today, where I was a senior editor. Most recently I worked at OpenAI, where I led the writing community.

As a writer, I relate to the world through words, stories, and ideas.

But writing is static: It's sitting at a desk typing sentences on a screen.

Photography, on the other hand, is embodied, visceral, spontaneous. After a day of staring at my screen until the words swim, I love how different it feels to grab my camera and start moving.

With photography, particularly red carpet photography, I find myself huddling in the photo pit, crouching to get a better angle, literally running after a movie star calling her name, desperately trying to get her to turn around and look at my lens so I can get the shot.

It's physical and chaotic and exhausting. Sometimes it almost feels like being a sniper, braced and still, peering through a long lens, waiting and breathing, finger on the shutter ready to fire the second the starlet looks your way.

Like writing, photography is all craft and strategy. It's about making decisions, working hard to make it good. But I feel like I'm using an entirely different part of my brain.

It's also immediate gratification. If I write an article for a magazine, I miiight get an email weeks later when it's finally published. More likely I never hear about it again. But when I take a photo of someone, I can show it to them then and there. And if I'm lucky they might even light up and say, "Oh my god, I love it, wow you totally captured my personality!"

It's making someone feel seen, showing them the thing in the same moment the thing is created. That never happens with writing.

Recognition

Selected publications, institutions, and festivals

My work spans photography, writing, teaching, and AI education.

Featured In

Writing and editorial work

  • The New York Times
  • Rolling Stone
  • The Washington Post
  • Wired
  • Harvard Business Review
  • Psychology Today

Where The Work Shows Up

Photography, teaching, and public-facing projects

  • Wikipedia
  • WikiPortraits
  • Yale
  • OpenAI
  • TIFF
  • The Nobel Prize
“The feeling I’m chasing is that moment when I show someone a photo I just took and they say, ‘Oh my God, I love this picture of me, you really captured who I am!’”
Jay Dixit

Most people land here looking for my photos. But I also teach AI workshops, write, and do consulting. If you want to talk about photography, writing, or what AI can actually do for your team, I’d love to hear from you.

Academic & Editorial

Writing & Teaching

Yale University

“The Art of Storytelling” - teaching writers how to make readers actually want to keep reading, using suspense, curiosity, and narrative structure.

Major Publications

Contributor to The New York Times, Rolling Stone, and Harvard Business Review.

Psychology Today

Senior editor for four years, covering psychology, behavior, and what makes people tick.

AI Work

Practical AI for writers, educators, and creative teams

My focus is hands-on: helping people use AI as a thought partner without losing voice, judgment, or craft.

Socratic AI

Current

Founder and Educator

  • Design and lead AI education workshops for organizations
  • Train teams to use AI for thinking, drafting, and revision
  • Advise on practical, responsible AI adoption in creative workflows

OpenAI

Previous

Community Lead

  • Led the writing community
  • Built educator-focused programs and resources
  • Developed frameworks for creative and ethical AI use